Observatory for piracy

What do we mean by the term “piracy”?

Piracy – a term commonly used to describe the infringement of copyright and related rights — refers to the reproduction, distribution, sale, or communication to the public of unauthorized copies or transmissions of copyright-protected material, in both physical and digital form.

Copyright piracy manifests in various forms and primarily concerns the fields of music, audiovisual works, computer programs, publications, broadcasting, as well as sports and other live events, the illegal transmission of which is a particularly growing phenomenon.

Why does piracy as a phenomenon concern global economies?

Piracy of works or subject matter protected by copyright constitutes a global phenomenon that has reached alarming proportions.

The wide availability of illegal streaming services, IPTV platforms, applications distributing unauthorized content, as well as stream-ripping tools and cyberlockers, have significantly contributed to the spread of piracy practices in the digital age.

Of particular concern is the growing piracy of sports and other live events through illegal IPTV services and real-time streaming platforms, which severely undermines the funding of sports and cultural institutions.

At the same time, the development of new technologies such as artificial intelligence creates new forms of reproduction and exploitation of protected content, posing additional challenges for the protection of copyright and related rights.

Due to the high value of intellectual property rights, their infringement constitutes a lucrative criminal activity that causes significant harm to creators, rights holders, and the economy at large.

The EUIPO’s 2020 Status Report on IPR Infringement states that the presence of counterfeit and pirated goods in the market results in annual revenue losses for EU member state governments — due to reduced direct and indirect tax revenues and unpaid social security contributions by illegal manufacturers — amounting to €15 billion per year.

The most recent EUIPO study on online copyright infringement (2024), analyzing data for the period 2017–2023, confirms that the phenomenon remains widespread, recording among other findings a 10% increase in visits to pirate IPTV platforms.

According to the European Commission’s Counterfeit and Piracy Watch List 2025, an upward trend in piracy has been observed and documented, with several studies highlighting its serious negative economic impact on creative industries.

These studies reveal trends in online piracy and audience engagement, with the largest increase found in the software sector, followed by the music sector.

What are the consequences of the piracy phenomenon?

In summary, the consequences of piracy include the following:

  • Threat to consumer protection
  • Risks to users’ digital security (exposure to malware, online fraud, and data theft through pirate websites and applications)
  • Loss of revenue due to reduced VAT and customs duty collection
  • Job losses
  • Inability to develop the relevant cultural — and other — industries (risk of diminishing cultural goods due to lack of incentives)
  • Reduced foreign investment
  • Inability to enforce relevant laws and fulfill international obligations
  • Damage to the country’s international standing and reputation

1. Legal framework and relative material

2. Committee for the Notification of Copyright and Related Rights Infringement on the Internet (ΕDPPI)

Committee for the Notification of Copyright and Related Rights Infringement on the Internet (ΕDPPI)

3. Statistic Data

Enforcement Authorities

  • Courts

    NOTE:
    We inform you that, starting from 2023, the HCO will no longer be publishing statistical data regarding the decisions of Greek courts related to cases about copyright and related rights infringement (see Law 21221/1993 and Law 4481/2017).
    This development comes as a result of the HCO’s and the Greek courts’ compliance to legislation about personal data protection and also of the significant reduction of the amount of original data that is made available to the HCO, which is a consequence, among other reasons, of the limitation of the selling of digital discs with audio and audiovisual content, by street vendors.

  • Cyber Crime Unit

4. Studies

5. OPI actions against piracy

6. Relevant Collecting Societies (CS) and/or Collective Protection Societies (CPS)

Collecting Societies (CS) and/or Collective Protection Societies (CPS)

7. International Contact Points

8. Useful links